When I was young, I didn't want to do traditional painting and calligraphy. I deliberately wanted to separate from my father so I could feel I existed myself.
Cai Guo-QiangFor me it's really important that the work here displays an aesthetic of decay along with the sunken boat with the broken ceramic pieces. They form a unity in showing the power of destruction, the beauty of destruction, whether it's from nature - because the boat has sunk - or through other forces. It's really the beauty of decay and death that holds a power here.
Cai Guo-QiangIn any country, in any city, there will be political influence on what is said, what kind of images are to be projected and, yes, of course artists can be and are influenced by politicians.
Cai Guo-Qiang