I got an email from my dad after the Super Bowl, and he was like, "Will you send me all of the Beyoncé Knowles songs that you have on your computer?" I'm like, "You never listen to Beyoncé. I'm so excited right now." It's good to embrace new things. I like when I can show people that it's not all one genre, and everything is very much inspired by everything else.

My Facebook page confuses a lot of people. I'll post a Beyoncé Knowles song, and, people are like, "What are you doing?! This is bullshit," and I'm like, "No! Beyoncé is the Linda Ronstadt of our day, you don't understand!"

I think when people watch a lot of artists, they're expecting this showiness, and I'm cracking jokes with people. I'm heckling back. I'm interacting.

I'm not a queen of anything, you know.

I have this friend who has a theory that lots of towns have energies. And, for instance, certain places in Alabama have bad ones because they were built on reservations or built on cemeteries or something. But Nashville has a really gravitational, magnetic pull.

Anyway, this huge Lena Dunham interview in Playboy. It felt like a shifting, of some kind. This new female archetype - this new, powerful, honest, non-pandering kind of female is becoming more powerful than whatever else has been rocking it for the past 10 years. I heard that Hugh Hefner's daughter is taking over. Which, if a woman is running Playboy, something is right.

It was so strange, coming from Nashville, Tennessee, where I was playing to 15 people, to going to London and playing in this crowded little dive pub. I know Tom Petty had a similar thing - I realize, on a lot larger scale.