We've all gone through some kind of betrayal, whether it's with a boyfriend or a friend or a family member. That's why this is so relatable to everybody because we all know what it feels like to feel that betrayal.

Personally, I don't like watching violence. I'd much rather see more skin.

Don't you know that when you sleep with someone, your body makes a promise whether you do or not.

Even if I loved the script, the director has to be right because it's all about the filmmaker. It's their vision. They're the ones that go back into the editing room and reassemble the film.

The first country that I went to outside of America was Japan and I was completely shocked - especially since I was 16 and over there by myself. I was like: "I don't get it; there's nothing in English!"

The whole experience has really stayed with me. Dunsfold pops into my head at the strangest times, and I run the track through in my head. 'I can go faster there and there...'

Everything's a risk, by the way, these days. Every film you make is a risk. There's no guarantee.