I mean, I can get things done if I need to, but I can really be completely irresponsible and procrastinate until the very, very, very bitter end. In fact, sometimes I work better under pressure.

You have to really be able to trust the director. It's about the filmmaker and whether or not I'm going to be able to have a relationship with them and want to follow them down that road, wherever it may lead.

Crowds are the most difficult thing for me these days because I have to walk with my head down and my eyes averted. There's still that part of me that wants to hold my head up, make eye contact and smile.

Sexuality and love can be different things. I can be attracted to a woman sexually, but it doesn't mean I want to be in love with a woman. If I'm going to be with a woman sexually, it doesn't mean I'm a lesbian. We put these restraints and definitions on people, but it's hard to define.

Everything's a risk, by the way, these days. Every film you make is a risk. There's no guarantee.

I make films for myself, first and foremost, just because it is such a personal experience, and it's something I really have to want to do and feel connected to.

I think I've become more comfortable about being a human being.