Even if I loved the script, the director has to be right because it's all about the filmmaker. It's their vision. They're the ones that go back into the editing room and reassemble the film.

I think a lot of people are married to people that they're not romantic with anymore. I just didn't ever marry anybody that I then had to get divorced from. We break up. We move on.

I'm not looking for a husband or marriage or not not looking for that stuff. I'm living, not thinking what I should or shouldn't be doing with my life.

[The Other Woman]s not only a story about friendship and women and how we support one another and how we're there for one another, but it also shows how different these women are. They each have their own strengths and weaknesses, and those strengths and weaknesses help each one of them in their own way.

It's important to be active in the causes that are important to you... That's how we make changes in this world.

You have to really be able to trust the director. It's about the filmmaker and whether or not I'm going to be able to have a relationship with them and want to follow them down that road, wherever it may lead.

All of the sudden people say, "She's got tits and legs and blond hair. Let's talk to her!" I've been paying dues for years in modeling. Not only that, it took a month and a half of Chuck Russell, The Mask's director, and Jim Carrey trying to get New Line to say O.K. on me. I didn't sleep; I had an ulcer. Of course, when people talk of paying their dues, they mean years of going to acting school and auditionin.