What musicals need is a new me.

It horrifies me how much it costs to put on shows now, mainly due to EU regulations. The freedom to be entrepreneurial is no longer there. It's a massive business now.

An old building is like a show. You smell the soul of a building. And the building tells you how to redo it.

I had set a goal of being a producer by 25.

My own tastes happen to be in tune with what the public wants. I think that's the reason my batting average is so high, not because I've discovered some brilliant formula.

I've taken considerable gambles on shows, but they're very considered gambles.

I am in that glorious position where I can redesign and re-package my own work.