One of the things I'm really good at is procrastinating.

The pace of Swedish crime fiction is slower - Stieg Larsson's the exception. And I think we use the environment more.

In Sweden, we've moved away from the notion that mothers have some magical, special bond with children.

I do listen to Abba. And a lot of '80s and '90s pop music.

If I can hit No. 1 on the 'New York Times' best-seller list, I'm thinking of having the entire list tattooed on my body somewhere. It would be fabulous.

Crime stories are our version of sitting round a camp fire and telling tales. We enjoy being scared under safe circumstances. That's why there's no tradition of crime writing in countries that have wars.

Northern Sweden holds a special kind of magic. It's cold, lonely, and the people are tough and silent, or so the stereotype says. This is Asa Larsson's home turf and I find as much joy in reading her closely observed descriptions of the environment, as in following her intriguing plots.