Ikebana is meant to mimic life in the way it develops; it shouldn't look like it's under the control of man.

I'm interested in making works for museums in a way that make the space feel domestic, and I'm always thinking about how this work will be part of someone's daily life.

I felt like if I was on Facebook, I would probably spend my days looking at people's profiles, seeing what they do, and feeling bad about not working enough.

Baroque sculpture and interior design has a quality of creating an environment that seems organic because it's full of curves and details, like a forest.

Ikebana is meant to mimic life in the way it develops; it shouldn't look like it's under the control of man.

A lot of my work deals with this emotion of discouragement or fear, and this emotion cannot be approached without humor because then things become indigestible. You don't want to eat them; you don't want to be in contact with them.

Is it possible to be a revolutionary and like flowers?