I'm interested in making works for museums in a way that make the space feel domestic, and I'm always thinking about how this work will be part of someone's daily life.

A lot of my work deals with this emotion of discouragement or fear, and this emotion cannot be approached without humor because then things become indigestible. You don't want to eat them; you don't want to be in contact with them.

Basically, art should remain something that is complex, that has many layers, so there's always a possibility to reconsider things and have a different perspective. It's not just an advertisement with one single message that has some authority, political or not.

In the traditional Ikebana things always have to be asymmetrical, because in this they look more natural and balanced.

I think my work is about the different strategies man has invented to deal with desire, frustration, fear of death, exhaustion. It's very much about life on earth.

Is it possible to be a revolutionary and like flowers?

Baroque sculpture and interior design has a quality of creating an environment that seems organic because it's full of curves and details, like a forest.