I'm spending a lot of time in the Palazzo and in the museums. I'm printing [pictures that I take] and making a binder with a mix of internet research and palazzo research that I'm planning to use for the upcoming works.

When I think about the reference to baroque, I'm most interested in how art was integrated into domestic life. That's why I like fresco, because fresco is part of the wall. It's art, but it's decoration at the same time.

I think art must be the place where you are protected from the logic of the outside world.

A lot of my work deals with this emotion of discouragement or fear, and this emotion cannot be approached without humor because then things become indigestible. You don't want to eat them; you don't want to be in contact with them.

Baroque sculpture and interior design has a quality of creating an environment that seems organic because it's full of curves and details, like a forest.

I think humor is often a very powerful tool to be able to express ideas that are heavy.

Art has to maintain as large a space for interpretation as possible, and to protect itself from being too narrow.