Working moms commonly testify that they feel guilty when they are away from their children and guilty when they are not at their jobs. Devoted fathers certainly miss their children deeply, but it does not seem to be with the same gnawing, primal anxiety that often afflicts women.

All fear of 'offensive' speech is bourgeois and reactionary. Historically, profane or bawdy language was common in both the upper and the lower classes, who lived together in rural areas amid the untidy facts of nature. Notions of propriety and decorum come to the fore in urbanized periods ruled by an expanding middle class, which is obsessed with cleanliness, respectability, and conformism.

Elizabeth Taylor is pre-feminist woman. This is the source of her continuing greatness and relevance. She wields the sexual power that feminism cannot explain and has tried to destroy. Through stars like Taylor, we sense the world-disordering impact of legendary women like Delilah, Salome, and Helen of Troy. Feminism has tried to dismiss the femme fatale as a misogynist libel, a hoary clich?. But the femme fatale expresses women's ancient and eternal control of the sexual realm. The specter of the femme fatale stalks all men's relations with women.

A woman simply is, but a man must become.

Madonna is her own Hollywood studio - a popelike mogul and divine superstar in one. She has a laserlike instinct for publicity, aided by her visual genius for still photography (which none of her legion of imitators has). Unfortunately, her public life has dissolved into a series of staged photo ops.

Rush Limbaugh is a principled conservative, master broadcaster and stinging social critic who has won his mammoth following through his own energy, individualism and wit. His daily radio show is the one reliable place ordinary citizens can turn to for a different perspective in the blizzard of propaganda and disinformation from the Northeastern media establishment. History will show that Limbaugh was a major force over the past decade in waking this country up from its p.c. coma.

I despise the phony, fancy-pants rhetoric of professors aping jargon-filled European locutions - which have blighted academic film criticism for over 30 years.