French rhetorical models are too narrow for the English tradition. Most pernicious of French imports is the notion that there is no person behind a text. Is there anything more affected, aggressive, and relentlessly concrete than a Parisan intellectual behind his/her turgid text? The Parisian is a provincial when he pretends to speak for the universe.

Education has become a prisoner of contemporaneity.

Serial or sex murder, like fetishism, is a perversion of male intelligence. It is a criminal abstraction, masculine in its deranged egotism and orderliness. It is the asocial equivalent of philosophy, mathematics, and music. There is no female Mozart because there is no female Jack the Ripper.

I feel genuinely sorry for those who are so blinded by narrow partisanship that they cannot appreciate Limbaugh's energy, intelligence and satiric skill. They live in a box with bags over their heads. Though he and I hardly agree on politics (I voted for Ralph Nader last year and may go Green again in 2004), I respect Limbaugh as a political analyst and deft rhetorician who is a master of the microphone and who knows how to engage and challenge a vast audience.

Every month, it is woman's fate to face the abyss of time and being, the abyss which is herself.

It's patriarchal society that has freed me as a woman.

In the west, Apollo and Dionysus strive for victory. Apollo makes the boundary lines that are civilization but that lead to convention, constraint, oppression. Dionysus is energy unbound, mad, callous, destructive, wasteful. Apollo is law, history, tradition, the dignity and safety of custom and form. Dionysus is the new, exhilarating but rude, sweeping all away to begin again. Apollo is a tyrant, Dionysus is a vandal.