Hollywood movies of the Fifties, like The Ten Commandments and Ben-Hur, with their epic clash of pagan and Judeo-Christian cultures, tell more about art and society than the French-infatuated ideologues who have made a travesty of the "best" American higher criticism.

Your life is a Fellini film, lacking only Anita Ekberg with a cat on her head.

All fear of 'offensive' speech is bourgeois and reactionary. Historically, profane or bawdy language was common in both the upper and the lower classes, who lived together in rural areas amid the untidy facts of nature. Notions of propriety and decorum come to the fore in urbanized periods ruled by an expanding middle class, which is obsessed with cleanliness, respectability, and conformism.

Liberalism defines government as tyrant father but demands it behave as nurturant mother.

As a scholar who regularly surveys archival material, I think that, a century from now, cultural historians will find David Horowitz's spiritual and political odyssey paradigmatic for our time.

Madonna has a far profounder vision of sex than do the feminists. She sees both the animality and the artifice. Changing her costume style and hair color virtually every month, Madonna embodies the eternal values of beauty and pleasure. Feminism says, 'No more masks.' Madonna says we are nothing but masks. Through her enormous impact on young women around the world, Madonna is the future of feminism.

Pursuit and seduction are the essence of sexuality. It's part of the sizzle.