The North American intellectual tradition began, I maintain, in the encounter of British Romanticism with assertive, pragmatic North American English - the Protestant plain style in both the U.S. and Canada, with its no-nonsense Scottish immigrants.

American feminism's nose dive began when Kate Millet, that imploding beanbag of poisonous self-pity, declared Freud a sexist. Trying to build a sex theory without studying Freud, women have made nothing but mud pies.

I want to fall on the floor laughing - imagining Hillary Clinton working well in the Senate with everybody else! Oh, give me a break. I've already joked in print that they would need to build her a private cloakroom on the Mall. This is not a woman who has any ability to deal with the mass of humanity. She is the most arrogant, the most moralistic, the most sermonizing and annoying person on earth.

I am a registered Democrat who is determined to return my party to the proletarian principles of the Franklin D. Roosevelt era.

Madonna has a far profounder vision of sex than do the feminists. She sees both the animality and the artifice. Changing her costume style and hair color virtually every month, Madonna embodies the eternal values of beauty and pleasure. Feminism says, 'No more masks.' Madonna says we are nothing but masks. Through her enormous impact on young women around the world, Madonna is the future of feminism.

It's high time for the art world to admit that the avant-garde is dead. It was killed by my hero, Andy Warhol, who incorporated into his art all the gaudy commercial imagery of capitalism (like Campbell's soup cans) that most artists had stubbornly scorned.

Judeo-Christians have got to respect the pagan truth shown in the popular culture of sex and violence. It's meaningful about the elemental forces of life, the brutality of life and nature.