The 1990s, after the reign of terror of academic vandalism, will be a decade of restoration: restoration of meaning, value, beauty, pleasure, and emotion to art and restoration of art to its audience.

Social justice and compassion are compatible with an intelligent respect for private enterprise and law and order.

When anything goes, it's women who lose.

Even the best critical writing on Emily Dickinson underestimates her. She is frightening. To come to her directly from Dante, Spenser, Blake, and Baudelaire is to find her sadomasochism obvious and flagrant. Birds, bees, and amputated hands are the dizzy stuff of this poetry. Dickinson is like the homosexual cultist draping himself in black leather and chains to bring the idea of masculinity into aggressive visibility.

Last time I checked, there were no Americans at all in Renaissance art.

We must take the best from the left and the best from the right to devise new strategies for the global twenty-first century. The reluctance of liberal professors to speak out against rampant abuses committed on their side (e.g., suppression of free speech, the excesses of women's studies and French theory) has simply increased the power of the right.

America is still a frontier country of wide open spaces. Our closeness to nature is one reason why our problem is not repression but regression; our notorious violence is the constant eruption of primi-tiveness, of anarchic individualism.