The minute I get into a hotel room, I scatter my stuff everywhere. It's like a bomb site within a minute. So I suppose that means I'm trying to nest.

I don't know why people are so down on the Best Western. They have the best sweet potato fries I've ever had.

My agent in London told me, after Never Let Me Go, because I loved doing that so much, "If you're on a lucky streak and you're doing well, you should only take a part, if you can't bear the idea of anyone else doing it." That's been the case since then, with Drive and Shame and the play (The Seagull), and the stuff that's going on, like Gatsby. I would have been devastated, if I hadn't gotten those jobs.

Those with dementia are still people and they still have stories and they still have character and they're all individuals and they're all unique. And they just need to be interacted with on a human level.

I want to be in 'Glee,' but I'm told I'm not famous enough to be a cameo yet.

Posing on the red carpet feels like you're selling something that has nothing to do with you. If you do it with someone else, it's like we're saying, 'Oh! We come as a pair! Would you like to buy both of us? We're available for weddings and Bar Mitzvahs!'

I never sit in a cinema and go, "Ah! I want to be in that film!"