I don't really think about roles - "dream roles." It's always about who's gonna be the person on the screen or who's gonna be the person on the stage and who's gonna direct it and put it all together.

I never had posters on my wall and when I meet actors that I really admire, it's exciting because I get to work with them.

Remakes are a difficult thing 'cause some people feel very protective of the original.

I did The Seagull, the Chekhov play, on Broadway, a couple of years ago, and I had done it in London, and I became completely obsessed with the character, Nina, that I played in that. She's an actress. I couldn't find a play after that, that I wanted to do, because I couldn't think of doing anything else. Every part is a disappointment, once you've done that part.

On film sets I can see everyone, and I really still find that so difficult.

You can spend an entire day walking around in New York, whereas in L.A., it always ends at some point because you have to find a way to get home.

In London, people can be so... well, it's not even a case of people being unkind or unfriendly. You just don't make any contact in London. You go from A to B with your eyes on the pavement.