I'm not going to work for the sake of working. I'll work, if I'm extraordinarily lucky enough to continue having the same opportunities, but it will be based on whatever is there. If there's nothing around, then I'll go home and make carrot cake for awhile.

I don't really think about roles - "dream roles." It's always about who's gonna be the person on the screen or who's gonna be the person on the stage and who's gonna direct it and put it all together.

There was an article in the New York Times that said that young men can't maintain healthy relationships because they're so influenced by pornography and what they see on the screen. It's something to be talked about.

It doesn't matter what you feel - ultimately, it's what the audience feels. You can finish a scene and think to yourself, 'Oh, God. I was so deep in that moment,' and find it just didn't play. I don't know if I have very good radar about that or not.

I wanted to be in a Baz Luhrmann film. It's just extraordinary. He's so amazing at what he does. He makes the most incredible films.

I remember in 'Pride and Prejudice' I had to do a scene where I broke down. And before we filmed I spent like three hours imagining my mum's funeral. Actually, she's very much alive, happy and healthy. It was really horrible.

I love New York - maybe more than Los Angeles or London. I think I'm happiest in New York.