I think it's good that [my granddaughter] here because I lost my parents and now it's great that there's a new generation. And she's taught me new things that I've forgotten. Like, when you're on holiday and see what it's like to see a shell or go into the water for the first time.

I think that when you're taking pictures with my principles, you can try anything. Dare to do a lot of things - dare with sexuality, dare to break taboos as long as it remains photogenic. As long as I find an elegance and beauty in it, I am not afraid to tackle anything.

I'm always anxious when it comes to my kids. This always makes me feel very vulnerable. Sometimes you think you aren't a good mama, you always feel a bit guilty when you're a mom. You want to be everywhere.

Maybe it's good a thing that people see me this way [in the documentary film]. They expect to see me with the high heels, the glamour looks, but now they will see me running through an airport with flat shoes! Also, they'll discover that stylists with "names" are in general nicer, sweeter, have a heart, have great relationships with family and friends, and that's important. It shows that people in fashion aren't just freaks.

I think that each women, whatever age, needs to recognise something good in her body. Someone has beautiful legs, someone has beautiful hair, someone else has beautiful décolletage or a beautiful waist or beautiful hands. Everyone has something great.

In photo shoots, I rely on instinct. Which is not to say I don't bring ideas to a project or consider it beforehand.

Fashion has a political role insofar as following it can give you the impression to belonging to a certain social group or a private club.