I think that life has brought a lot to fashion, and fashion brings plenty to life. I took my children on photo shoots, at the same time, I borrowed my father's sweater for a photo shoot and, then, I am inspired by a Russian princess because of my Russian roots. Everything is all mixed in together.

There are people who give you the confidence that you're lacking and once you have confidence, you're free and finally you can let out what's inside of you.

It's very difficult to know when you're crossing the boundary. I hate the word boundary because I never think about it when taking a picture. Very often it doesn't mean anything because it depends on who's looking at the picture more than the content of the picture itself.

I think it's good that [my granddaughter] here because I lost my parents and now it's great that there's a new generation. And she's taught me new things that I've forgotten. Like, when you're on holiday and see what it's like to see a shell or go into the water for the first time.

Imitation always stinks. When I take photos, I don't go back. I don't look at the past. I'm always original.

Maybe it's good a thing that people see me this way [in the documentary film]. They expect to see me with the high heels, the glamour looks, but now they will see me running through an airport with flat shoes! Also, they'll discover that stylists with "names" are in general nicer, sweeter, have a heart, have great relationships with family and friends, and that's important. It shows that people in fashion aren't just freaks.

I love the free spirit in London.