Money is a very complicated problem. The history of money is very curious.

My art will reflect not necessarily conscious politics but the unanalysed politics of my life.

I think it was Henry Moore who was asked where he got his ideas for his sculptures, and he said something like, "I continue to do as an adult the things I did as a child." I think that's what art is about.

Every time you work, you have to do it all over again, to rid yourself of this dross. I suppose for a person who is not an artist or not attempting art, it is not dross, because it is the common exchange of everyday life.

I was one of the first post-studio artists. I used to do my works in the streets. I used to find them in the streets, and I used to leave them in the streets.

I didn't like men, but I liked women.

My works have always been unjoined. People were always making variations of my works, and I just said, "I don't want to know." You can't put limits on those pieces. You can't be there all of the time when they're installed.