My art will reflect not necessarily conscious politics but the unanalysed politics of my life.

Money is a very complicated problem. The history of money is very curious.

By nature, I am a materialist... It is exactly these impingements upon our sense of touch and so forth that I'm interested in.

Isn't it wonderful to be an artist whose works have mostly been lost?

What I made depended on what I found on the street. At least in the beginning, my materials came from the street.

I was never good at painting. The great turning point came when I had a block of wood and I carved a shape into the wood and put a small piece of timber into that space - like a negative - and so it made an endless column, only inward.

We don't have a single point of view for a road at all, except a moving one, moving along it.