The cinema, like the detective story, makes it possible to experience without danger all the excitement, passion and desirousness which must be repressed in a humanitarian ordering of life.

The conscious mind allows itself to be trained like a parrot, but the unconscious does not — which is why St. Augustine thanked God for not making him responsible for his dreams.

Art is a kind of innate drive that seizes a human being and makes him its instrument. The artist is not a person endowed with free will who seeks his own ends, but one who allows art to realize its purpose through him. As a human being he may have moods and a will and personal aims, but as an artist he is "man" in a higher sense— he is "collective man"— one who carries and shapes the unconscious, psychic forms of mankind.

There is a thinking in primordial images, in symbols which are older than the historical man, which are inborn in him from the earliest times, eternally living, outlasting all generations, still make up the groundwork of the human psyche. It is only possible to live the fullest life when we are in harmony with these symbols; wisdom is a return to them.

Nothing is possible without love.

The unconscious mind of man sees correctly even when conscious reason is blind and impotent.

The only important thing is to follow nature. A tiger should be a good tiger; a tree, a good tree. So people should be people. But to know what people are, one must follow nature and go alone, admitting the importance of the unexpected. Still, nothing is possible without love. . . . For love puts one in a mood to risk everything, and not to withhold important elements.