The cinema, like the detective story, makes it possible to experience without danger all the excitement, passion and desirousness which must be repressed in a humanitarian ordering of life.

Therein lies the social significance of art: It is constantly at work educating the spirit of the age, conjuring up the forms in which the age is more lacking. The unsatisfied yearning of the artist reaches back to the primordial image in the unconscious, which is best fitted to compensate the inadequacy and one-sidedness of the present. The artist seizes on this image and, in raising it from deepest unconsciousness, he brings it into relation with conscious values, thereby transforming it until it can be accepted by the minds of his contemporaries according to their powers.

The curve of life is like the parabola of a projectile which, disturbed from its initial state of rest, rises and then returns to a state of repose... Like a projectile flying to its goal, life ends in death. Even its ascent and its zenith are only steps and means to this goal... For, enlightenment or no enlightenment, consciousness or no consciousness, nature prepares itself for death.

The unconscious is the only available source of religious experience. This in certainly not to say that what we call the unconscious is identical with God or is set up in his place. It is simply the medium from which religious experience seems to flow. As to what the further cause of such experience might be, the answer to this lies beyond the range of human knowledge.

One must be able to let things happen.

Our intellect has created a new world that dominates nature, and has populated it with monstrous machines.

When an inner situation is not made conscious, it appears outside as fate.