The secret of artistic creation and the effectiveness of art is to be found in a return to the state of 'participation mystique' - to that level of experience at which it is man who lives, and not the individual.

Identification with one's office or title is very attractive indeed, which is precisely why so many men are nothing more than the decorum accorded to them by society. In vain would one look for a personality behind the husk. Underneath one would find a very pitiable little creature. That is why the office is so attractive: it offers easy compensation for personal deficiencies.

Here and there it happened in my practice that a patient grew beyond himself because of unknown potentialities, and this became an experience of prime importance to me. I had learned in the meanwhile that the greatest and most important problems of life are all in a certain sense insoluble. They must be so because they express the necessary polarity inherent in every self-regulating system. They can never be solved, but only outgrown.

Art is a kind of innate drive that seizes a human being and makes him its instrument. The artist is not a person endowed with free will who seeks his own ends, but one who allows art to realize its purpose through him. As a human being he may have moods and a will and personal aims, but as an artist he is "man" in a higher sense— he is "collective man"— one who carries and shapes the unconscious, psychic forms of mankind.

At present we educate people only up to the point where they can earn a living and marry; then education ceases altogether, as though a complete mental outfit had been acquired. ... Vast numbers of men and women thus spend their entire lives in complete ignorance of the most important things.

Solitude is for me a fount of healing which makes my life worth living.

Man and woman become a devil to each other when they do not separate their spiritual paths, for the nature of created beings is always the nature of differentiation.