The God-image in man was not destroyed by the Fall but was only damaged and corrupted (“deformed”), and can be restored through God's grace. The scope of the integration is suggested by the descensus ad inferos, the descent of Christ's soul to hell, its work of redemption embracing even the dead. The psychological equivalent of this is the integration of the collective unconscious which forms an essential part of the individuation process.

All art intuitively apprehends coming changes in the collective unconsciousness.

The man of today, who resembles more or less the collective ideal, has made his heart into a den of murderers, as can easily be proved by the analysis of his unconscious, even though he himself is not in the least disturbed by it.

What was given to us by the past is adapted to the possibilities of the future.

The shoe that fits one person pinches another; there is no recipe for living that suits all cases.

From the viewpoint of analytic psychology, the theatre, aside from any aesthetic value, may be considered as an institution for the treatment of the mass complex.

Every psychic advance of man arises from the suffering of the soul.