Carly Simon Quotes

Do you know how many concerts I've done in my whole life, in more than 35 years of performing? Sixty-four.

We need role models who are going to break the mold.

I've always thought of myself as being a warrior. When you actually have a battle, it's better than when you don't know who to fight.

Everyone has problems, and learning to share them is essential. Hiding pain requires an enormous amount of energy; sharing it is liberating.

The advancements that women have made are very threatening to men in the job place. There haven't been that many women in politics. If you look at the conventions, it's kind of pathetic how many men are the heads of companies. On the other hand, I'm not sure what the reality should be.

One of the things that has always motivated me to write is the desire to get it out and look at it in an objective way, so that it doesn't cause me any serious pain by staying inside.

You usually can't tell what's inspiring until you look back on it.

I'm a little old-fashioned - I like it when the man opens the door and I like it when a man pays for me. I particularly like it when they pay for dinner or whatever, because I've pretty much done the opposite, but for the exception of James [Taylor], where we split everything down the middle. I've been the larger money earner in practically all of my relationships. There's equality and there are positive differences, which are complimentary.

Sometimes my boyfriend would write the lyrics and I would write the melody, and other times I would start from scratch. Or sometimes I would take a local poem and put that to music...I always sang standards because the songs I wrote for myself weren't as easy to sing.

I had a mastectomy in 1998, and then chemo.

I used the physical scar of my breast cancer operation, the scar that I have across my chest as a metaphor for all kinds of scars.

I think that I've got some pretty bad reviews on albums or songs that later proved themselves.

You say we'll soar like two birds through the clouds, but soon you'll cage me on your shelf. I'll never learn to be just me, first by myself.

Anticipation is making me late, it's keeping me waiting.

Life is a dream even in its most painful moments, it's a dream that we can dance to.

All men are created equal and all women are created equal as well, but [equality] seems much clearer when it comes to race issues. In the realms of man/woman, man/man, woman/woman love, it seems all up for grabs now. We are exploring so much, but I think we gotta go for the fight for all equality first.

So I suppose this slightly mature fashion sense happened because of what I had.

I always sang standards because the songs I wrote for myself weren't as easy to sing.

You know when you take the paint off an old canvas and you discover that something's been painted underneath it? That's what I feel like - that part of the old is coming through the new.

Undoubtedly, Patsy Cline was a trailblazer and in that respect, all women who are singular in a man's field have a special power.

Worrying too much about other people's ears and not my own, I lost my way.

You know, people want to honor me, and on the one hand I just don't want to be a poster child; but on the other, I want to do something classy and great - something where the residuals will go to the cause.

You don't have to prove to me you're beautiful to strangers, I've got loving eyes of my own.

The models for me were more the folk-rock singers of the '60s and '70s.

My look was even more solidified when I started singing in Greenwich Village with my sister Lucy. We wore matching dresses as the Simon Sisters.

I had some dreams, they were clouds in my coffee.

We are in this period now where we all are trying to be in shape physically and deny ourselves any pleasure.

I'm still more comfortable with standards than with my own songs.

My scar is beautiful. It looks like an arrow.

Don't mind if I fall apart. There's more room in a broken heart.

There was a French singer, Francoise Hardy - I used to look at her pictures and try to dress like her.

Being in this business for as long as I've been in it, it's sort of like living in a town or a city before the war and then after the war and then during the reconstruction and then during the time that it sprawls out to the malls.

Then I went through a big Peggy Lee stage, then I became Annie Ross, then Judy Collins.

But I'm lost when it comes to you.

A really strong woman accepts the war she went through and is ennobled by her scars.

It didn't matter as much because I'm a singer, not an actress, but my face is more acceptable in a way now than when I first came on the scene, because I'm part black.

The sound of birds stops the noise in my mind.

I took it to heart that in order to be a good person; you never said anything mean about anybody.

I remember being onstage once when I didn't have fear: I got so scared I didn't have fear that it brought on an anxiety attack.

I always think it's interesting to dig a little bit deeper every time you go to someplace that seems like a revelation or a strong connection to an emotional truth.

My father was a classical pianist, and my mother was a singer of just about everything.

We went to see all the shows. American musical theater and jazz were very big.

I grew up not understanding what was true and what was not true. It gave me a sense of unreality. I was told that this man [mom's lover] was not my mother's lover - when he was. I was told he was there as a male babysitter for my brother so that he would learn sports and other manly things.

I had this terrible stammer, so I couldn't really speak properly until I was 16 or 17.

I just want to show off my scar proudly and not be afraid of it.

You're so vain. I bet you think this song is about you.

Well, I make every song I sing personal. I've never chosen a song that wasn't.

I've learned that nobody's perfect, and I don't expect myself to be perfect anymore.