We were so poor that my mother would often leave me in a foster home until she could raise enough money to rent rooms for us.

I'm totally formed by my mother's interest in fashion. As a Hungarian immigrant, she couldn't afford clothes. She made all her clothes from patterns. It was not dépassé to make your own clothes, it was a respected skill and it was financially expedient. I learned that doing it yourself, having self-discipline and working went hand in hand. To work passionately at something is the key. I'm fortunate and blessed to have had, for the most part in my life, the privilege to work at something I'm passionate about.

The minute we don't finance the arts, the accountants, attorneys and politicians keep taking the cream of money off the top and it doesn't trickle down unless all of society understands that we must support the arts, whether it's ballet, opera, fashion. Fashion is like opera, is like ballet, is like theatre. It's a visual theatre.

I'm loath to do interviews. What comes out is generally not what I meant or thought I was saying or thought they were asking.

I didn't marry to have children. I married to have a relationship, and I was blessed with one child. I was an only child, too - my mother was smarter than most women today; she just had me.

I have had more magazine covers in the last 25 years than I have had in my whole elongated career. [...] Today I am in a territory that business considers unmarketable: age and white hair. Slowly, however, I started to own that territory little by little because I stood up for age.

The money I've earned has enabled me to keep my life in my own hands. I had a terrific body, and I got paid for using it.