Leaving my first agent was both my best business decision and my worst business decision. It depends on how I want to look at my career because of opportunities that may have come had I stayed with him and because of the opportunities that did come because I had to fight harder for roles.

At times as an actor, it's often times unclear as to what the directors envision for a project.

I'd love to play a full-out rocking chick.

I'm guessing that musicals didn't make sense anymore because of the changes in the political environment that began in the late Sixties, an era of self-awareness and social revolutions.

I was this very precocious kid with a big personality. When my mother saw that modelling was something I enjoyed, she didnt dissuade me.

I feel like I was born an actor. I did not pursue acting until I was a bit older. But I got a taste of it at an earlier age in the UK.

At the end of the day, I really go with my personal taste and with what's on the page in terms of character. But beyond that, there's a complexity about the scripts I tend to respond to. I've not lost my curiosity about how the world functions. And a script that can embody that and thematically explore bigger questions in a way which seems fresh is likely to get my attention. Frankly, I also have an eye for what will appeal to an audience, as opposed to a self-indulgent exercise that isn't taking the audience into account.