The great fear I've had to overcome is the fear of failure. You have to be willing to be afraid, if you're going to be an artist.

At the end of the day, I really go with my personal taste and with what's on the page in terms of character. But beyond that, there's a complexity about the scripts I tend to respond to. I've not lost my curiosity about how the world functions. And a script that can embody that and thematically explore bigger questions in a way which seems fresh is likely to get my attention. Frankly, I also have an eye for what will appeal to an audience, as opposed to a self-indulgent exercise that isn't taking the audience into account.

I come alive when I'm painting. I like to work in oils and acrylics, and the full sensory engagement and self-expression is very stimulating to me.

Musicals are finally kind of coming back to a degree, perhaps out of a sense of nostalgia.

Success for me will be where the body of work I've done afforded me the opportunity to be as good as I can be, and to explore myself and to see what I'm capable of.

Leaving my first agent was both my best business decision and my worst business decision. It depends on how I want to look at my career because of opportunities that may have come had I stayed with him and because of the opportunities that did come because I had to fight harder for roles.

The Hollywood culture is so invasive, and I definitely wanted to be near it eventually.