Dogs are fantasies that don't disappoint.

Trying to describe the process of becoming an alcoholic is like trying to describe air. It's too big and mysterious and pervasive to be defined. Alcohol is everywhere in your life, omnipresent, and you're both aware and unaware of it almost all the time, all you know is you'd die without it, and there is no simple reason why this happens, no single moment, no physiological event that pushes a heavy drinker across a concrete line into alcoholism. It's a slow, gradual, insidious, elusive becoming.

What is this drive to be thinner, prettier, better dressed, other? Who exactly is this other and what does she look like beyond the jacket she's wearing or the food she's not eating? What might we be doing, thinking, feeling about if we didn't think about body image, ever?

A lot of people, quite frankly, think intense attachments to animals are weird and suspect, the domain of people who can't quite handle attachments to humans.

By definition, memoir demands a certain degree of introspection and self-disclosure: In order to fully engage a reader, the narrator has to make herself known, has to allow her own self-awareness to inform the events she describes.

It happened this way: I fell in love and then, because the love was ruining everything I cared about, I had to fall out.

The key, I suppose, has less to do with insight than with willingness, the former being relatively useless without the latter.