Radio is so cutthroat, but I do feel like the music industry is structured so differently than it used to be. I'm amazed and in awe of artists who can build a parallel universe that's so big and clearly defined that the mainstream finally has to pay attention.

When you meet someone, a friend, who's living out on the road, or living semi-homeless, or leading their life in a radically different way, it makes you think about your own life in a really critical way and feel completely disoriented.

I think all the songs [at Moth] are about different things, but if we were to speak about it as a whole, it's really about, it's about joy, and about sensuality and vulnerability and also fun, energy, living in New York in 2015, being out of control, wanting to be in control, failing! It's a sort of story of our lives.

It's a lot different being a hip-hop artist. You just show up with a piece of paper with your words on it, say it in the mic, then you leave and some other guy does all the music.

I saw this wide-eyed girl with big ears and a pink nose who's too excited. I wanted that part of myself to sing lead.

You know how some trees have those ear mushrooms that just grow off, and you could live on one of those mushrooms and not realize that there was stacks and stacks of others? That's how I describe music scenes in New York. That's one of the trippiest things about living here - just how many parallel universes there are that you can be completely unaware of.

Radio is so cutthroat, but I do feel like the music industry is structured so differently than it used to be. I'm amazed and in awe of artists who can build a parallel universe that's so big and clearly defined that the mainstream finally has to pay attention.