If you always want to look relevant, just be CGI-prepared.

Once you're away from music, I realize that's as intrinsic to who I am as anything else. That's the part that takes me out of my brain.

I grew up outside of Seattle, and have lived here my whole life, and I think that there is a culture of questioning, and guilt. Almost an "anti-ambition." Like, an awareness, and then a subsequent guilt. But sometimes that progressive, liberal guilt is really obnoxious, too - in some ways, I think it's better to just own it. It's weird, that actually, the acknowledgement of privilege or the enactment of guilt can be as obnoxious as anything else. It's a never-ending rabbit hole. We're really in a rabbit hole right now, with this conversation. We're just spiraling down into the void.

I've always loved writing. Doing that at the same time as playing music can be tiring.

I don't think you need to sound like from where you're from. But I think there is something magical and powerful about encompassing something fully and singularly.

I don't think I would live outside of the Northwest. I think the quality of life in Portland is really good. People move from intense, high-powered jobs, and move to Portland, work half as much and live twice as good. They can afford bigger houses, or they can actually afford to buy a house, they can work the minimal amount and still get by. I think there's a really strong sense of community there. It's beautiful.

I've noticed that as someone who has done music and creative things in Washington state and Portland, to kind of toot your own horn, or admit, "I'm going for it. I'm hustling," is not exactly the norm. Which is weird, because you go to New York, or LA, or anywhere else, you've got to be gunning for it - and you should be - you're part of a fast-moving stream of other people who are really ambitious. People move here to work less. So, to say that you're hustling all the time, and going for it, is kind of a little bit against the grain here.