I think, for some artists, the fear of taking on a political identity stems from not wanting to be pigeonholed as political actor or a political musician. It becomes this thing where somehow your art can no longer exist on its own and be multifaceted.

When I'm cynical, I seek out bands that are fully participating and trying to push something forward. Or I can just start playing music again - which is happening with a new project. But I think it's always a challenge to overcome cynicism and not get bogged down by a sense of nostalgia. That can be such a stifling feeling.

As a kid, before I got into music, I did all the drama classes, went to theater camp in the summers, so it wasn't totally a foreign world.

With Rock Band, you can play along to Black Sabbath or Nirvana and possibly find new ways of appreciating their artistry by being allowed to perform parallel to it. Rock Band puts you inside the guts of a song.

I'm kind of a hermit. it's almost easier for me to write about connection than to actually connect.

To me, the grotesque is like a sonic manifestation of reality. I don't know how you could look out onto our world and see only beauty. And I like beautiful things. I like the aesthetically harmonious. But I am much more attracted to something that is off-kilter. It is a truer reflection of not only nature, but the human spirit - the state of the world. I just think everything feels a little off.

I'm really drawn to the uncompromising realness of natural process: It's unadorned. It's not very pretty.