I think, for some artists, the fear of taking on a political identity stems from not wanting to be pigeonholed as political actor or a political musician. It becomes this thing where somehow your art can no longer exist on its own and be multifaceted.

I love coffee. I love a midday espresso on set, just for the energy.

Twitter is sort of version of labeling, except with 140 characters instead of a labelmaker. It's the way of calling things out for what they are, wearing badges. Twitter is like the new Scarlet Letter.

I grew up outside of Seattle, and have lived here my whole life, and I think that there is a culture of questioning, and guilt. Almost an "anti-ambition." Like, an awareness, and then a subsequent guilt. But sometimes that progressive, liberal guilt is really obnoxious, too - in some ways, I think it's better to just own it. It's weird, that actually, the acknowledgement of privilege or the enactment of guilt can be as obnoxious as anything else. It's a never-ending rabbit hole. We're really in a rabbit hole right now, with this conversation. We're just spiraling down into the void.

The game Rock Band has been haunting me like a bad ring tone. It gets stuck in my head and momentarily effaces all that I love about music.

It's hard to beat the visceral high of playing live and creating something spontaneous.

I think one of the reasons I haven't been doing music is because I think that some of my performance, like, needs are being taken care of in other mediums.