I've honestly always been an overly analytical, highly observant person. I was playing music but thinking about it at same time, which was sort of exhausting. Aside from the pain of writing - you're not really in a gang like you are in band, it's a little bit lonelier - I think it was always something that I'd wanted to do. So the transition wasn't abrupt or painful.

The fact that people go to Portland to visit a tiny feminist bookstore-no matter what the impetus is for them getting there-the fact that they go in there and look around and shop for books or stationery or whatever, is a major source of pride for me.

Practice. Learn and then unlearn - that's the trick in finding your own style of playing. You can't merely emulate, you have to innovate, or at the very least create your own path into the process.

I guess the role of art is to make something that is ambiguous and complex.

You can't bury a part of yourself that's so innate to who you've been, even if it's not for the sake of anything other than a pure enjoyment of it.

I think we as people struggle for what is meaningful in our lives, and I think that modern, contemporary life is as easy as it's ever been, for many, many people, and the amount of physical exertion, for most people, is less than it's ever been. I think that there is something about the ritual of making things more difficult that people find meaning in.

If you always want to look relevant, just be CGI-prepared.