Sometimes that whys aren't knowable, so you just have to ignore the whys, and just focus on what is and move on.

He has an armload of irises and daisies and tulips and he presents them to me. I didn't know what kind of flowers you like.I like them all.Yeah?Yeah.He tries to hand them to me, but then remembers the cast. I'll put them in water.Betty swoops in the room ridiculously fast and she grabs the flowers out of Nick's hands. I'll take care of them. You lovebirds just sit on the couch and think swooning things at each other.

I crumple on my bed. For a second, i believed that what i wanted more than anything in the world had come true. For a second, i believed that my dad was back. but he isn't. He's gone again. he's really truly gone and i know it. i know i'll never see him again no matter how much i want to. The candle in me has blown out and i'm afraid, really, really afraid, because my biggest fear is true. i have to live my life without my dad, my running partner, the guy who taught me amnesty and sang john lennon songs really off key.

Losing people you love affects you. It is buried inside of you and becomes this big, deep hole of ache. It doesn't magically go away, even when you stop officially mourning.

Friends help friends fight pixies.

It is love which made all this. War which protects it. With love comes responsibility and possibility, fear and hopes, quests and suffering.

The ending has to fit. The ending has to matter, and make sense. I could care less about whether it's happy or sad or atomic. The ending is the place where you go, “Aha. Of course. That's right.”