It takes the wool from your eyes about how the world works, to show you that nothing's necessarily fair, and that you might have a hard life.

Film still looks way better than digital.

I think auditions are set up for failure because they're not really the set experience. There's no time to develop the character. You're just looking at someone... if someone's really good in an audition, sometimes they're not good in the film. It's something you learn when you're doing short films. It's the same way that some people do well at taking tests and some people don't. But when you're on a long-term filmmaking process it's a completely different feeling.

It takes the wool from your eyes about how the world works, to show you that nothing's necessarily fair, and that you might have a hard life.

It's just nice to be able to communicate and be able to identify with a lot of different cultures. I have no idea what it would be like to be just one thing and speak one language. I feel enormously privileged to travel and be able to mingle and speak to people that, had I only known English, I wouldn't have been able to meet.

If you think of most murders as being between people who know each other, it's very easy to figure out who the killer is. But when you have a murder that appears random, where the person is not someone that's within the known radius of the victim, then it's much, much more difficult to solve.

In snowboarding, you're constantly aware that people are so technically brilliant at what they do, and you feel like, "Ugh, I'll never be able to do that."