Looking back at my career, if there's one word that most people use to describe me, it's intense.

Americans really don't understand the Japanese nature, but it's not an easy thing to understand.

I really believe that breath, in and of itself can become the ultimate self-healing tool.

Half my family was from the Imperial Japanese Navy, and the other half was U.S. Army, and I was raised on Army posts during my childhood, so I pretty much began my life with a split-brain sort of thing.

There were times when I purposely didn't go to school because of Pearl Harbor Day, because certainly there was enough media about it every year to remind everybody. So when I heard they were going to make the movie, I thought, "Oh, no, please not another Pearl Harbor mention!"

Native Americans say, "It's a good day to die," and samurai live their life to die honorably, so that kind of energy creates a certain mindset of reactiveness with control to a point. And after that, it's gone.

I was clear: "I don't want to play businessmen with bifocal glasses and cameras, so if you're going to give me an Asian bad guy to play, then I'm going to give you the baddest Asian bad guy you've ever seen, and you're not going to forget that I was in the film."