England that little gray island in the clouds where governments don't fall overnight and children don't sell themselves in the street and my money is safe.

Paper is like Joyce Carol Oates: white.

We’ve got ninety-nine per cent the same genes as any other person. We’ve got ninety per cent the same as a chimpanzee. We’ve got thirty per cent the same as a lettuce. Does that cheer you up at all? I love about the lettuce. It makes me feel I belong.

Polly Findlay showed real insight and imagination in her production of my translation of Seneca's Thyestes at the Arcola. I enjoyed her use of the space and the detail of her work with the actors, and I'm looking forward to seeing what she does with Light Shining.

There's nothing personal in it [THE SKRIKER]. I'm not ever inclined with any of the plays to say, This is about that, because plays are about the whole event that they are. . . . I was certainly wanting to write a play about damage - damage to nature and damage to people, both of which there's plenty of about. To that extent, I was writing a play about England now.

How could I go on my travels without that sweet soul waiting at home for my letters?

What I like about a dog it stops people getting after you, they're not going to come round in the night. But they make the place stink because I might want to stay out a few days and when I get back I might want to stay in a few days and a dog can become a tyrant to you.