[Margaret] Thatcher had just become prime minister; there was talk about whether it was an advance to have a woman prime minister if it was someone with policies like hers: She may be a woman but she isn't a sister, she may be a sister but she isn't a comrade.

Polly Findlay showed real insight and imagination in her production of my translation of Seneca's Thyestes at the Arcola. I enjoyed her use of the space and the detail of her work with the actors, and I'm looking forward to seeing what she does with Light Shining.

How could I go on my travels without that sweet soul waiting at home for my letters?

You can't win every week.

There's nothing personal in it [THE SKRIKER]. I'm not ever inclined with any of the plays to say, This is about that, because plays are about the whole event that they are. . . . I was certainly wanting to write a play about damage - damage to nature and damage to people, both of which there's plenty of about. To that extent, I was writing a play about England now.

What I like about a dog it stops people getting after you, they're not going to come round in the night. But they make the place stink because I might want to stay out a few days and when I get back I might want to stay in a few days and a dog can become a tyrant to you.

NELL. Because that's what an employer is going to have doubts about with a lady as I needn't tell you, whether she's got the guts to push through to a closing situation. They think we're too nice. They think we listen to the buyer's doubts. They think we consider his needs and his feelings.