The approach to that movie wasn't, 'Lets make this movie about Amsterdam and maple syrup.' The concept was, 'Lets go to Amsterdam. Amsterdam is fun.' So we flew to Amsterdam with our cameras and we saw what happened and then we got back and we sat down and we said, 'What's the movie here.' That's when we realized that the movie was 'The Maple Syrup Saga'.

Just trying to live our lives and figuring out how to turn that into art. It's tough to say that the art was premeditated. Instead you just focused on living. 'How do I want to live? What do I want to do?' Then you figured out how to make that into art.

For me, when we came out with a TV show, my HBO show, so much of the feedback was, "How do I do it?" And my response was always the same: "Just make something." Stop talking about it. You do in a way that the work takes on a life of its own. Like the "Signature" series [(2008), in which the artist trekked across the United States in the shape of his own signature] was a simple concept that became this story about the people you met along the way.

I'm definitely curious about what the new iPhone and it's video editing capabilities will lend to that.

The right time is always right now.

That for me is what intrigues me the most about feature films. It's not like the little kind of esoteric projects that you and your friends get but how do you make something that has a universal appeal. Those are the movies that intrigue me the most.

The most dangerous thing you can do in life is play it safe.