I wanted to make something that raised questions and was completely different and challenged the way most people experienced electronic music. So some people don't like me; that's OK.

I think a lot of people misinterpret what I'm doing because they think of it as just a joke or they think of it as disposable.

I wanted to make something that raised questions and was completely different and challenged the way most people experienced electronic music. So some people don't like me; that's OK.

We, as band, always positioned ourselves between art and entertainment, which often works against us - Fischerspooner is between business models. Art is about limiting access to the product to create value, and entertainment is about dispersing it. We've put ourselves in a position where, if we reach conceptual perfection, it's career suicide.

If you want to make something that's aggressive and challenging and peculiar and strange and trying to step outside of a traditional approach, some people aren't going to like it.

It was cool to feel this global electronic thing happening. But it just got to be too much at a certain point.

I listen to nothing or classical music just because after being in the studio for twelve hours, the last thing you want to do is listen to anything.