I wouldn't claim to know what another person is thinking. I can imagine it, but it's my interpretation, and I try to make that clear. It's my vision of what I think their life is. I don't think there are empirical truths in that regard.

I wouldn't claim to know what another person is thinking. I can imagine it, but it's my interpretation, and I try to make that clear. It's my vision of what I think their life is. I don't think there are empirical truths in that regard.

If you've ever sang in falsetto, you know that your throat is between your voice and your mouth. In a standard voice, you sing from your belly. And when you sing in a falsetto, you're blocking that. It gives it a filter. It gives it a character. It's less revealing.

It's not like that when you're a songwriter - songwriters aren't like pulp writers or journalists, even. You just follow the muse. It's called muse-ic. Whenever the muse decides to bestow her inspiration on the songwriter, then the song is born.

I project love, music and love, and I pray for peace. A good song cuts straight to the heart; sometimes it doesn't need to be too many lines - of course, I do love a good story.

When you're playing festivals, you only get a half-hour. It's like a meat market. You don't get to be artistic. You don't get to play music. It's called a showcase for a reason.

Usually there's no specific reason for loneliness - it's a broad feeling.