Those subject to capital punishment are real human beings, with their own backgrounds and narratives. By contrast, those whose lives are or might be saved by virtue of capital punishment are mere 'statistical people.' They are both nameless and faceless, and their deaths are far less likely to be considered in moral deliberations.

I'm also a big Bob Dylan fan. The songs on The Freewheelin' Bob Dylan - which is one of his best early albums - they grow out of some of his difficulties with Suze Rotolo, and "Hard Rain," people say it had to do with the Cuban missile crisis - probably not. He denied it. I believe him, but it certainly had to do with the time.

I'll tell you an explanation that I find commonly overrated and speculative in the extreme: the idea that things that succeed in popular culture do that because they hit the temper of the times.

A program that saves young people produces more welfare than one that saves old people.

It's fair to say that there's something retrograde about putting the leader of Star Wars rebellion in the position of "slave in a bikini." There's no question that that's a fair point. But, it is true, and it's kind of remarkable, that at this point in our history, the slave girl, for a time in the bikini, is the one who chokes her captor with her bare hands and using the chain with which he bound her. That's powerful stuff. That's more retributive feminism than I think teenaged boys had ever seen.

If you have a regulation that's going to save hundreds of thousands of lives annually and not cost very much, that sounds like a very good idea.

As a matter of history, the Fourteenth Amendment was not understood to ban segregation on the basis of race.