He played of love and loss and years of silence, words unsaid and vows unspoken, and all the spaces between his heart and theirs; and when he was done, and he'd set the violin back in its box, Will's eyes were closed, but Tessa's were full of tears.

I would write light entertainment nonfiction pieces during the day, then come home and work on my fantasy fiction. It was very difficult to get out of the one mindset and into another one.

Of course I can see you. I'm not blind, you know. Oh, but you are. You just don't know it.

You think that's the solution to everything, don't you, Bane? Drinking and dancing and making love... but I tell you this, something is coming, and we'd be fools to ignore it." "When have I ever claimed not to be a fool?

You have a dark heart in you, Valentine’s daughter,” he said. “You just won’t admit it. And if you want Jace, you had better accept it. Because he belongs to me now.

Maybe that was why she couldn't cry, she realized, staring dry-eyed at the ceiling. Because what was the point in crying when there was no one there to comfort you? And what was worse, when you couldn't even comfort yourself?

Write what you want to read. So many people think they need to write a particular kind of book, or imitate a successful style, in order to be published. I've known people who felt they had to model their book on existing blockbusters, or write in a genre that's supposed to be "hot right now" in order to get agents and publishers interested. But if you're writing in a genre you don't like, or modeling yourself on a book you don't respect, it'll show through. You're your first, most important reader, so write the book that reader really wants to read.