I was probably about 13 or 14, and I went by myself to the City Auditorium in Colorado Springs and saw the guy who wrote and sang "Itsy Bitsy Teenie Weenie Yellow Polkadot Bikini." Brian something. And I got to meet him and he signed an autograph for me, a little piece of paper. Brian Hyland! It was so bizarre.

When I was a kid... I don't know which was more embarrassing, when I was really into The Beatles or when I was a hippie.

When I was Elvira, it was probably the phase of my hair getting too high. I thought that if really high hair was good, then really higher hair was even better. So I just started having my hair get higher and higher. In some of the pictures, we had to cut off the picture because it was like Marge Simpson. So that was embarrassing. The wig phase.

I hate to sound cliché, but it would probably be the day my daughter was born. That was a pretty amazing experience.

People think, "Oh my god, you've been doing this job for so many years, it must get boring." It's like, "No, hell no," because I get to sing, I get to dance, I get to be on TV and in films, I get to do merchandising, licensing, show up at conventions, write, or take photographs for my book. There are so many different things going on for me that it never gets boring. It's always fun and interesting.

People always say, 'Who is your audience?' and I could never put a finger on it - and I wouldn't want to put a finger on it.

My first ones were The Young Rascals. I made out with Dino Danelli, the drummer, in the alley behind the City Auditorium. Then I met Crosby, Stills, Nash & Young. Mitch Ryder & The Detroit Wheels. This is all way, way back in the day. Later I got in the big leagues, like chasing around The Rolling Stones. And I hid in the bus for Paul Revere & The Raiders. And The Zombies.