You can't be trying to make a film that pleases all people, you know, so it's not a concern of mine.

I think we should all feel lucky and blessed that people are still, in this day and age, getting in their cars with other people and driving to a location and paying money to sit in a theater and watch a play.

Particularly at the moment, it's an incredibly optimistic thing to bring children into the world.

I feel like I've been marinated in Australian theatre.

The emoji still doesn't really speak to the complexity that actually - or the subtext that goes on between when people actually speak face-to-face.

His [Gough Whitlam's] effect on the geo-cultural-political map of Australia is so vast that wherever you stick the pin in you get a wealth of Gough's legacy.

Oh god, I wish. I really wish. If I'm time-poor, which I usually am, that's the first thing to go. And I know it shouldn't be, I know I should be really regular, but I like to get it done as quickly as possible.