My husband wasn't put off by it - he thought it was hilarious to see me dressed as Dylan! He didn't particularly want to kiss me with stubble all over my face - it felt a bit odd! But I think he's used to it [the make-up process].

Personally, I prefer to play against the look: If a character appears particularly unhinged, with makeup running down her face, I like to play her as if she has it together. I think that juxtaposition makes it so much more interesting.

Theater is a space where you cross over from everyday life, because there are real people in that moment moving in front of you-you're being invited to believe in a story and cross that bridge.

I like to put perfume on my pulse points, but I also love the way you can sense it - there is an atmosphere that comes from releasing a scent in to the world - it's a primal thing. I spray around me, not just on me, and it lingers in the room after I leave.

Oh god, I wish. I really wish. If I'm time-poor, which I usually am, that's the first thing to go. And I know it shouldn't be, I know I should be really regular, but I like to get it done as quickly as possible.

To become a painter or a sculptor or a graphic designer is quite an isolated way to spend your life.

The notion of fate and destiny is a very Greek concept. Working in the theater you do think a lot about that, because as a storyteller you do think, 'At what point was this always going to happen and what part have I got a hand in being able to change things?'