The first thing is to accept that theater is an unknown. If you go to a concert, you know the music. If you go to an art show, you can literally see the art on your phone before you see it in person. But with theater, often times people aren't prepared to take risks, even though that's exactly what's great about it.

For me, I think the bigger something is, the more difficult it is to make it nimble and fleet afoot.

All cities do face similar, significant trends in the future... most importantly global warming and climate change.

I never really think about my gender, first and foremost - until a door is closed to you. Until you can see a parallel opportunity with a man in a similar place in his career and you think, That opportunity is not open to me or my fellow actresses. That's interesting.

That's why so many people want to play Hamlet: because it's a completely demarked role, and the actor playing it has to be prepared, through the language, to allow the audience to see into who he is.

It's interesting when you get those roles, which seem like nothing on the page, and you kind of subvert them. It's hard to say no.

The emoji still doesn't really speak to the complexity that actually - or the subtext that goes on between when people actually speak face-to-face.