The emoji still doesn't really speak to the complexity that actually - or the subtext that goes on between when people actually speak face-to-face.

What I love about the theater is that you know who you're acting for: your audience. And the thing I find really hard in film is, you don't. The audience is invisible. And we're sitting there, hoping there's other people out there.

Theater is all about foyers and conversation and digesting what you've seen.

We have to band together, but the thing in America is that people are terrified of losing their jobs... Maybe California needs to secede. The only thing that'll make any difference is the money... Tax dollars and losing that amount of money. It's one of the most economically powerful states, isn't it? That's where it hurts.

I just don't see myself as the heroine in my own narrative.

When you're onstage, you're acutely aware of the reaction of a particular group of people, because it's like a wave.

If you only exercise your soloist muscles, the other muscles quickly atrophy.