I've an enormous respect for my mother who at the age of 39 raised three children, and I grew up with my grandmother in the household. And so it was a really strong household of women - my poor brother! It was great growing up with so many generations of women.

Becoming artistic directors is an enormous responsibility and not one that we take lightly.

That's definitely true! It was before my father died, so I can't attribute it to an obsession with death. When I was seven, I loved those old Sherlock Holmes movies with Basil Rathbone. The Scarlet Claw was one of my faves. And I loved all the Halloween's and that film about the haunted house... Burnt Offerings, with Oliver Reed. Every birthday party was a slumber party and we'd watch horror films.

I'm not sitting on a soapbox telling women what they should and shouldn't do, but I know what works for me.

What you're trying to do as an actor is somehow trick yourself into believing that these words have never been said, and so you've got to discover them for the first time.

It's part of my job. You can't play Veronica Guerin sounding like this. It just wouldn't wash. But what I find fascinating about doing an accent - unless it's a farce - is that it's not slapped on.

Someone might have a germ of talent, but 90 percent of it is discipline and how you practice it, what you do with it. ... Instinct won't carry you through the entire journey. It's what you do in the moments between inspiration.